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In French, it means "beginning." The English meaning of the word exists only when in the plural form: [faire] ses débuts [sur scène] (to make one's débuts on the stage). The English meaning and usage also extends to sports to denote a player who is making their first appearance for a team or at an event. décolletage a low-cut neckline ...
Google Translate is a web-based free-to-use translation service developed by Google in April 2006. [12] It translates multiple forms of texts and media such as words, phrases and webpages. Originally, Google Translate was released as a statistical machine translation (SMT) service. [12]
Entr'acte (or entracte, French pronunciation:; [1] German: Zwischenspiel and Zwischenakt, Italian: intermezzo, Spanish: intermedio and intervalo) means 'between the acts'.It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts ...
A Picardy third, Picardy cadence (ˈpɪkərdi ) or, in French, tierce picarde is a harmonic device used in Western classical music. It refers to the use of a major chord of the tonic at the end of a musical section that is either modal or in a minor key. piatti Cymbals, generally meaning a pair of orchestral clashed cymbals piena
"Alouette" usually involves audience participation, with the audience echoing every line of each verse after the verse's second line. It is a cumulative song, with each verse built on top of the previous verses, much like the English carol "The Twelve Days of Christmas". Below are the original French lyrics along with a literal English translation.
No Exit (French: Huis clos, pronounced [ɥi klo]) is a 1944 existentialist French play by Jean-Paul Sartre. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. [ 1 ] The play centers around a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity.
The play is not divided into acts and scenes in the traditional manner, but it does nevertheless fall into sections (numbered 1–17 by Pigeat). [1] Some of these are dialogues between two characters, several are monologues where one of the characters addresses the audience directly, and one is a conversation among all three. At the beginning ...
Le roi s'amuse (French pronunciation: [lə ʁwa samyz]; literally, The King Amuses Himself or The King Has Fun) is a French play in five acts written by Victor Hugo. First performed on 22 November 1832 but banned by the government after one evening, the play was used for Giuseppe Verdi's 1851 opera Rigoletto.
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