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In his Vol. 8 album, Tình Ca Hoài Niệm (also known as Tình Ca 50) including love songs from 1954 to 1975, Phố Đêm (Night Town) was also one of the chosen songs in the album, on the cover it was said to be one of Nguyen Tuan Kiet's songs, however the song in the album was another song with same title from songwriter Tam Anh, that song ...
Anh Thơ (Ninh Giang, Hải Dương Province, 25 January 1921 – 14 March 2005), real name Vương Kiều Ân, was a Vietnamese poet [1] whose work focused on women, especially their role in the Viet Minh.
Lê Lâm Quỳnh Như was born in Đông Hà, Quảng Trị Province, South Vietnam, on 9 September 1970, [1] [2] to father Lê Văn Chánh, as the oldest child with two younger brothers, one named Tường Khuê. [3]
The LP Nguyễn Ánh 9 - Lặng lẽ tiếng dương cầm (Nguyen Anh 9 - The quiet piano sound) including ten songs (a collaboration between the songwriter Duc Tri and Gia Dinh Audio). [6] The live show Nguyễn Ánh 9 - Nửa thế kỷ âm nhạc (Nguyen Anh 9 - Half a century of music) taking place in Hanoi on the night of December 29 ...
Her full name is Lã Thị Khánh Hà, also known as Lữ Khánh Hà.She was born on February 28, 1952, in Da Lat.Her father, Lữ Liên is a musician. Due to the influence of her father, she and her 6 siblings later followed a career in singing and became famous singers abroad, including Bích Chiêu, Tuấn Ngọc, Anh Tú, Thúy Anh, Lan Anh and Lưu Bích.
After splitting from "Tam Ca Phù Sa", Hương Thủy then moved to South California under the sponsorship of her family. Through the introduction of a friend and the help of a demo CD, Hương Thủy was given the opportunity to audition for Thúy Nga Paris by Night , a top Vietnamese music production, where she landed a contract.
Quang Lê was born in Vietnam, 1975), with family roots from Central Vietnam in the City of Huế. [1] His Vietnamese accent is “Huế (central accent),” one of the main Vietnamese dialects in Vietnam, but he is able to imitate the southern accent, and he sings with a mixed accent.
The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.