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Wolfgang Amadeus Mozart The song's lyrics repeatedly invoke the help of Mozart in regaining the singer's lost love. In the refrain, the singer expresses her wish to have the "magic flute's magic" ("trollflöjtens magi"), a reference to Mozart's opera The Magic Flute (The opera's title in Swedish is Trollflöjten .)
The song was released in Europe in 1985 in its original, German-language version. For the international markets (United States, UK, Japan, etc.), several different single and extended mixes were produced by Rob Bolland; none of them were solely an English-language version, but the international single versions reduced the German lyrics.
Liebes Manndel, wo ist's Bandel?" Terzett für Sopran, Tenor und Baß mit Begleitung von zwei Violinen, Viola und Baß, KV 441: Score and critical report (in German) in the Neue Mozart-Ausgabe; Das Bandel, K. 441: Scores at the International Music Score Library Project; on YouTube, arranged for 2 boy sopranos, bass, 2 clarinets and basset horn; on YouTube, Zürcher Sängerknaben; This page was ...
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song " Ah! vous dirai-je, maman ".
Mozart's longest song, lasting 110 bars, in Alla breve time the key of F major. The varying music moods, wide ranging tonal scheme and contemplation of sadness is reminiscent of Schubert. The composer is in an unusually restrained and contemplative mood. A typical performance lasts around 5 minutes. [3] [4] [5]
God is our refuge, K. 20, is a motet for four voices in G minor by Wolfgang Amadeus Mozart.Based on Psalm 46, it was composed in July 1765 during Mozarts' stay in London on the Mozart family grand tour as a gift for the British Museum along with one other supposed work: a set of variations in A major, K. 21a.
Süssmayr continued writing the Requiem on Mozart's manuscript, and so it was never specified where Mozart stopped and Süssmayr started. The version by Süssmayr is the most commonly recorded and performed version of the work, with the completed "Offertorium", "Sanctus", "Benedictus" and "Communio". Süssmayr made minor corrections to the ...
Goethe wrote the poem in 1773 or early 1774. It was first published [citation needed] in March 1775 in his first Singspiel Erwin und Elmire which was first set to music in 1775 by the German composer Johann André (a revival in 1776 used music by Anna Amalia of Brunswick-Wolfenbüttel and by Carl David Stegmann, and another 1785 had music by Ernst Wilhelm Wolf and Karl Christian Agthe).