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"Barnum and Bailey's Favorite" by Karl King (1892–1971) is a famous circus music piece. [11] Unlike Fučík, King grew up performing circus music joining Robinson's Famous Circus at the age of 19 as a baritone player. During that time circus music needed its own style because modern music did not fit with most of the acts that the circus ...
Felix Adler was born in Clinton, Iowa on June 17, 1895. [1] He became interested in performing at age 9, when a circus visited his hometown. [2] Adler and his wife, Amelia, ran the first American husband-and-wife independent circus, and he was the first clown to appear on television. [3]
King's earliest known compositions date from 1909 with this, his most famous work, being composed in only his fifth year of composing. [1] King played Baritone horn in many circus bands including Barnum and Bailey's, for more than a decade. [1] As is common in his compositions, Karl King made the baritone part a major voice in the march. [2]
Screamers were mostly composed in a 60-year period (1895–1955). Circuses were in need of music that would stir the audience into a frenzy, as four-footed animals galloped across the ring. Because march music was a prominent part of American music at that time, and because it carried such a quick tempo, it was this that ringmasters demanded.
"Three Ring Circus", a 1974 song by Blue Magic "Three Ring Circus", a song by Beady Eye song from the 2011 album Different Gear, Still Speeding 3 Ring Circus - Live at The Palace , a 2013 live album recorded in 1995 by Sublime
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The tuba, which has connotations of humour and the circus, features heavily in the song's texture. [8] Other instruments are used in the piece as effects, including slide whistle and bass drum. [8] The song's melody is played on a mandolin and features a downward-moving chromatic line atop various seventh chords, which also move downwards.
Essentially a synth-pop track, the music is accentuated by acoustic guitar and a continuous circus-like accordion. The lyrics touch on social issues, rare for the duo, and centre on the lament of "working men", whose bright futures and job securities are left shattered in the modern world of greedy corporations and technology.