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And it told Thy love to me; But I long to rise in the arms of faith And be closer drawn to Thee. Refrain: Draw me nearer, nearer blessèd Lord, To the cross where Thou hast died. Draw me nearer, nearer, nearer blessèd Lord, To Thy precious, bleeding side. Consecrate me now to Thy service, Lord, By the power of grace divine;
Martyr (The same term is used in Islamic terminology for the "martyrs of Islam", but the meaning is different) literal meaning of the word shahid is "witness" i.e. witness of god/believer in God. Sim‘ānu l-Ghayūr (سِمْعَانُ الْغَيُور) Simon the Zealot Sim‘ānu Butrus (سِمْعَانُ بطرس) Simon Peter
Allah Hoo (Allāhu) is a traditional Sufi chant consisting of the word for God (Arabic: الله, Allāh) run together three times, followed by Truth (): Allāhu Allāhu Allāhu Haqq, itself repeated three times over.
A nasheed (Arabic: نَشِيد, romanized: nashīd, lit. 'chant', pl. أَنَاشِيد, anāshīd) is a work of vocal music, partially coincident with hymns, that is either sung a cappella or with instruments, according to a particular style or tradition within Sunni Islam. Nasheeds are popular throughout the Islamic world.
"Mawṭinī" (/ ˈ m ɔː t ɪ n iː / MAW-tin-ee; Arabic: موطني, lit. 'My Homeland') is an Arabic national poem by the Palestinian poet Ibrahim Tuqan, composed by the Lebanese musician Mohammed Flayfel in 1934, and is a popular patriotic song among the Arab people, and the official national anthem of the Republic of Iraq.
Ginans (Urdu: گنان, Gujarati: ગિનાન; derived from Sanskrit: ज्ञान jñana, meaning "knowledge") are devotional hymns or poems recited by Shia Ismaili Muslims. Literally meaning gnosis, ginans are the devotional literature of the Nizari Ismailis of South Asia, spanning topics of divine love, cosmology, rituals, eschatology ...
Nūn ġunnā, (Urdu: نُون غُنَّہ; Unicode: U+06BA ں ARABIC LETTER NOON GHUNNA) is an additional letter of the Arabic script not used in the Arabic alphabet itself but used in Urdu, Saraiki, and Shahmukhi Punjabi [1] to represent a nasal vowel, . In Shahmukhi, it is represented by the diacritic ٘ .
Another theme present throughout Punjabi poetry is the paradoxical idea of life and how although wealth and knowledge is presented to a person, it is that wealth and knowledge that can distance them from the real meaning and truth of life. [14] Punjabi poetry is written in a Perso-Urdu style with some Arabic and Persian vocabulary.