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Following is a list of Italian painters (in alphabetical order) who are notable for their art. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Cosimo Rosselli (Italian: [ˈkɔːzimo rosˈsɛlli]; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls.
Andrea del Castagno (c. 1421–1457), painter who worked briefly in Venice 1442–1443; Bernardino Castelli (1750–1810), painter who did the portrait of Ludovico Manin, the last Doge; Vincenzo Catena (c. 1470–1531), painter; Costantino Cedini (1741–1811), fresco painter [4] Andrea Celesti (1637–1712), painter of the Baroque period ...
Self-portrait. Baldassare Franceschini, called Il Volterrano after his birth place Volterra and, to distinguish him from Ricciarelli, Il Volterrano Giuniore (1611 – 6 January 1689) was an Italian late Baroque painter and draughtsman active principally around Florence and Volterra. [1]
Melozzo da Forlì (c. 1438 – 8 November 1494) was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening . He was the most important member of the Forlì painting school .
Luca Signorelli (c. 1441/1445 – 16 October 1523) was an Italian Renaissance painter from Cortona, in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Francesco del Cossa (c. 1430 – c. 1477) was an Italian Renaissance painter of the School of Ferrara, who after 1470 worked in Bologna.Cossa is best known for his frescoes, especially his collaboration with Cosimo Tura on a cycle of the months in the Palazzo Schifanoia of the Este family, rulers of Ferrara.
The Tribute Money is a fresco by the Italian Early Renaissance painter Masaccio, located in the Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence. Painted in the 1420s, it is widely considered among Masaccio's best work, and a vital part of the development of Renaissance art. [1] [2]