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Monolith of Inhumanity is the fifth studio album by American death metal band Cattle Decapitation, released on May 8, 2012. [1] Upon its release, it was met with positive reviews praising the addition of melody into their sound. [2]
To Serve Man is the debut studio album by American deathgrind band Cattle Decapitation, released in 2002 through Metal Blade Records. [4] [5] The title is a reference to the Twilight Zone episode "To Serve Man".
Cattle Decapitation's songs protest the exploitation and consumption of animals, the abuse of the environment and subjects such as misanthropy and genocide of the human race. Much of the band's music is based on putting humans in the situations that animals are subjected to, for example animal testing, slaughter, etc.
Debuting during the free love movement of the '60s and late '70s, the song couldn't have come at a better time. Shop Now. Jim Britt - Getty Images "Come and Get Your Love" by Redbone (1973)
Both the drum and guitar parts were recorded in a "'70s-style dry room" [3] while the vocals were recorded in the attic of the studio. [5] Even though the drums were recorded using analogue tape compression, the rest of the song's production, including the "fat fuzzy bass line" and the coda, was completed using Pro Tools 24. [3]
Linna's record label Norton Records released a compilation of Adkins' songs with the 1986 album Out to Hunch, which included songs that Adkins recorded between 1955 and 1965. "No More Hot Dogs" was the second song on the album. [10] "No More Hot Dogs" was one of many songs Adkins wrote dealing with themes of meat and decapitation. [11]
Death Atlas is the seventh studio album by American death metal band Cattle Decapitation.It was released on November 29, 2019, via Metal Blade Records.Its release coincided with Black Friday and came more than four years after their previous studio album, 2015's The Anthropocene Extinction.
The Harvest Floor is the fourth studio album by American deathgrind band Cattle Decapitation.It was released through Metal Blade Records on January 20, 2009. The album was recorded and mixed at Sharkbite studios in Oakland, California, with engineering and production handled by Billy Anderson. [1]