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The Big Heat is a 1953 American film noir crime film directed by Fritz Lang starring Glenn Ford, Gloria Grahame, and Jocelyn Brando [3] about a cop who takes on the crime syndicate that controls his city.
The following is a list of American films released in 1953. Donald O'Connor and Fredric March cohosted the 26th Academy Awards ceremony on March 25, 1954, held at the RKO Pantages Theatre in Hollywood .
Although he starred in many genres of film, some of his most significant roles were in the film noirs Gilda (1946) and The Big Heat (1953), and the high school drama Blackboard Jungle (1955). However, it was for comedies or westerns that he received acting laurels, including three Golden Globe Award nominations for Best Actor – Motion Picture ...
Gloria Penelope Hallward was born in Los Angeles, the younger child of Michael and Jean Hallward. [5] She was raised a Methodist. [2] Her English father, Reginald Michael Bloxam Hallward (later known as Michael Hallward) was an architect and author; her Scottish mother, Jean McDougall, who used the stage name Jean Grahame, was a stage actress and acting teacher. [6]
With 44 films from well-known titles such as Orson Welles’s “The Lady from Shanghai” (1947) and Fritz Lang’s “The Big Heat” (1953) to more obscure gems like Frank Borzage’s “Man ...
Serial film: September 20, 1953: Saginaw Trail: distribution only; produced by Gene Autry Productions September 1953: Conquest of Cochise: October 1, 1953: Combat Squad: Co-production with Jack Broder Productions Inc. October 14, 1953: The Big Heat: October 1953: Slaves of Babylon: November 3, 1953: Prisoners of the Casbah: Co-production with ...
Whitney appeared in the films Destination Tokyo (1943), Action in the North Atlantic (1943), Mr. Skeffington (1944), Murder, He Says (1945) (in which he played a dual role), The Big Heat (1953), In the Heat of the Night (1967), The Ballad of Cable Hogue (1970), and others before becoming well known for his work in television.
The filmmaker explains why he wanted to return to the world of his 1995 cops-vs-robbers epic — and why he needed the page instead of the screen to bring his literary sequel to life
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