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Color is an element consisting of hues, of which there are three properties: hue, chroma or intensity, and value. [3] Color is present when light strikes an object and is reflected back into the eye, a reaction to a hue arising in the optic nerve. [6] The first of the properties is hue, which is the distinguishable color, like red, blue or ...
In art and art criticism, form and content are considered distinct aspects of a work of art.The term form refers to the work's composition, techniques and media used, and how the elements of design are implemented.
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Visual arts – class of art forms, including painting, sculpture, photography, printmaking and others, that focus on the creation of works which are primarily visual in nature. Visual Arts that produce three-dimensional objects, such as sculpture and architecture , are known as plastic arts .
In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art.
Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. [3] Paintings can be naturalistic and representational (as in still life and landscape painting ), photographic , abstract, narrative, symbolistic (as in Symbolist art ), emotive (as in Expressionism ) or ...
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Form and color speak to us of form and color, and that is all". With Symbolist art, the autonomy of artistic language is achieved: art breaks with tradition and builds a parallel universe, paving a virgin ground that will serve as a foundation for new ways of understanding art in the early 20th century: the historical avant-garde. [13]