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Songs Inspired by Literature, Chapter One: Justin Wells: The Odyssey: Homer [29] "Lay Down" Bursting at the Seams: Strawbs: The 23rd Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [132] "The Legend of Enoch Arden" Songs Inspired by Literature, Chapter One: Diane Zeigler "The Legend of Enoch Arden" Alfred Lord ...
This is not the same thing as "referring" to a work of literature. I also took out: "Carry On Up the Vicarage" by Steve Hackett is a "condensed version" of a typical Agatha Christie murder mystery plot. Because it does not appear to be a retelling of a work of literature.Tuf-Kat 20:01, Oct 28, 2003 (UTC) Yeah, those entries bothered me too.
This is a list of articles, or subsections of articles, about music inspired by literature. [1] Musical settings of, or music inspired by, poems by Byron; Edgar Allan Poe and music; Music related to Anne Rice's novels; Works inspired by J. R. R. Tolkien [1] Music based on the works of Oscar Wilde; List of songs based on poems; Romeo and Juliet ...
This song is heavily inspired by the story of Jack the Ripper and makes many references to the mythical traits associated with him. [99] The Brazilian thrash metal band Torture Squad also recorded a song based on Jack the Ripper's legend. The song is titled "Leather Apron" and was included on the band's 2003 album Pandemonium.
Madison Beer's song "Follow the White Rabbit" from her debut album "Life Support" is a reference to Alice in Wonderland, whom the artist has openly stated that she adores. [ citation needed ] "Wonderland" by Dreamcatcher references Alice as it describes a girl with "A sky blue dress, yellow glowing hair," as well as associated characters from ...
Sparks featured a song titled "Scheherazade" on their 2000 album Balls, from the point of view of the King. The song "One Thousand and One Nights" by J-pop band See-Saw, used as the opening theme song for the second part of the four-part OVA.hack//Liminality ("In the Case of Yuki Aihara"), references The Nights in both the title and the lyrics.
C. Caddie Woodlawn (musical) Camelot (musical) Canterbury Tales (musical) The Card (musical) Carmen (Wildhorn musical) Carrie (musical) La Cava (musical)
The music was performed live by an orchestra of 75 musicians. Sarah Crompton called the work "bold, beautiful, emotional and utterly engaging". [64] The dance is in three sections. "Inferno" shows Dante's journey to hell, guided by Virgil, in "remarkably free and inventive" [64] choreography, "rich in feeling". [64] "