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Lens flare on Borobudur stairs to enhance the sense of ascending. A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.
When Moment announced an anamorphic lens, it really caught my attention. After all, the film Tangerine was shot on an iPhone 5S using an anamorphic lens from Moondog Labs, so I was excited to try ...
The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the great majority are simply re-branded lenses originally known by another name.
Since the anamorphic lenses in virtually all 35 mm anamorphic systems provide a 2:1 squeeze, one would logically conclude that a 1.375∶1 full academy gate would lead to a 2.75∶1 aspect ratio when used with anamorphic lenses. Due to differences in the camera gate aperture and projection aperture mask sizes for anamorphic films, however, the ...
The ISCO anamorphic focusing mechanism was unique in that the taking lens was simply set to infinity and then focus was adjusted using the anamorphic adapter alone. This was a major advance on competing manufacturers' designs, all of which required that focus was calibrated simultaneously on both the taking lens and the adapter.
Unlike its counterpart Ultra Panavision 70, which used anamorphic lenses, Super Panavision used spherical lenses to create a final aspect ratio of 2.20:1, the same as Todd-AO. Some of the films made in Super Panavision 70 were presented in 70 mm Cinerama in select theaters.
The company built a series of anamorphic lenses in the 2.35:1 scope format, and owned several camera bodies (Mitchell and Arriflex) that they would provide with the lens package. Films produced in Todd-AO 35 include Conquest of the Planet of the Apes , Conan the Barbarian , Mad Max , Dune and Logan's Run .
The origin of panomorph technology dates back to 1999 from a French company named ImmerVision [2] now headquartered in Montreal, Canada. Since the first panomorph lenses have been used in video surveillance applications in the early 2000s, panomorph lenses are an improvement on existing wide-angle lenses in a broad range of applications.