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Louise made one record album, It's Time for Tina, which was released originally on Concert Hall in 1957 (Concert Hall 1521), and later reissued on Urania Records (1958 and 1959 respectively). [17] With arrangements by Jim Timmens and Buddy Weed's Orchestra, 12 tracks include "Tonight Is the Night" and " I'm in the Mood for Love ."
Ginger Grant is a fictional character portrayed by Tina Louise in the 1964 to 1967 television sitcom Gilligan's Island.. Grant was initially portrayed by Kit Smythe. She is known for casually mentioning big movie stars as her acquaintances.
The Hangman is a 1959 American western film directed by Michael Curtiz and starring Robert Taylor, Tina Louise and Fess Parker. It was distributed by Paramount Pictures . The film is based on the short story of the same name by Luke Short .
Richard Widmark, Lee J. Cobb, Tina Louise: Crime: Paramount Pictures: ... 1959 films at the Internet Movie Database This page was last edited on 2 September 2024, at ...
The Wrecking Crew is a 1968 American spy comedy film directed by Phil Karlson and starring Dean Martin as Matt Helm, along with Elke Sommer, Sharon Tate, Nancy Kwan, Nigel Green, and Tina Louise. It is the fourth and final film in the Matt Helm series, and is loosely based on the 1960 novel of the same name by Donald Hamilton. The film opened ...
Day of the Outlaw is a 1959 American Western film starring Robert Ryan, Burl Ives, and Tina Louise. It was directed by Andre de Toth ; this was de Toth's final Western feature film. [ 2 ]
George Marshall (director); Jerry Lewis, Peter Lawford, Tina Louise: 17 Salesman: Documentary Film Institute: Albert Maysles, David Maysles (directors); Paul Brennan, Carmen Brennan, Jack Brennan: 24 If It's Tuesday, This Must Be Belgium: United Artists: Mel Stuart (director); Doris Day, Guy Stockwell, David Janssen: 30 The Big Cube: Columbia ...
God's Little Acre is a 1958 American comedy-drama film of Erskine Caldwell's 1933 novel of the same name. [3] [4] [5] It was directed by Anthony Mann and shot in black and white by cinematographer Ernest Haller.
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