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Neto started learning guitar from his mother at the age of four [1] and began classical guitar lessons at the age of twelve, later studying at the music academy in his hometown. Beginning in 1970, he taught the guitar and had his own band, "Plato". In 1978 he became a member of Harry Belafonte's band.
José Neto may refer to: José Neto (basketball), Brazilian basketball coach, former head coach of the Brazil national basketball team; José Neto (musician), jazz fusion guitarist; José Neto (footballer), Portuguese footballer who played for S.L. Benfica; Jose Franca Neto (born 1955), Brazilian footballer who mostly played in the U.S.
The Portuguese guitar is used for solo music (guitarradas) as well as the accompaniment, which it shares with a steel strung classical guitar (viola de fado) and occasional double bass or guitar-bass, and its wide repertoire is often presented in concert halls and in the context of classical and world music festivals all around the world. [2]
The Concierto del Sur (Spanish: Concerto of the South) is a concerto for classical guitar and orchestra written by the Mexican composer Manuel M. Ponce. The concerto was written for the Spanish guitarist Andrés Segovia , who premiered it in 1941.
Laurindo José de Araújo Almeida Nobrega Neto, popularly known as Laurindo Almeida (September 2, 1917 – July 26, 1995), was a Brazilian guitarist and composer in classical, jazz, and Latin music. He was one of the pioneers in the creation of bossa nova .
The first was titled The Music of Francisco Tárrega - A Guitar Recital, vol. 1 SMC-516 and the second was The Music of Fernando Sor - A Guitar Recital, vol. 2 SMC-517. While it is believed that Andrés Segovia may have been the first to record the F. Sor studies, it was Rey's recordings of these important studies that first made it to vinyl. [ 6 ]
José Ramírez. José Ramírez (1858–1923) was a Spanish luthier, the founder of Ramírez Guitars and of the Spanish luthier dynasty who continue to run it. His grandson José Ramírez III was in turn head of the company, and a noted innovator who made significant changes to the classical guitar.
I can honestly say that during the concert I played the same compositions once on the six-string guitar and once on the ten-string guitar. They all preferred the ten-string guitar." Yepes then sought the opinion of his former teacher, Nadia Boulanger. After playing the ten-string guitar for her, Yepes recalled that, "She noticed that my playing ...