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Pictures at an Exhibition [a] is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky.It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year.
Great Gate of Kyiv, which is also known as one of the Bogatyr Gates of Kyiv: Golden Gate, Kyiv 11th century gate of Kyiv and 20th century reconstruction as a museum; The Bogatyr Gates (In the Capital in Kyiv), movement 10 of Pictures at an Exhibition by Modest Mussorgsky, also known as "The Great Gate of Kyiv" The Wanderer (Holy Blood album)#1.
The Great Gate of Kiev [ edit ] This movement sums up two important characteristics of Stokowki's orchestration: His giant, organlike chords (it actually uses an organ) and his penchant for gong and bell sounds.
Robert Christgau gave the album a D+ and Lester Bangs, writing for Rolling Stone, brutally mocked the attempt at recording a classical suite. The album was a great success with fans, however, and a shortened version of "Pictures" continued to be used as a live encore through the remainder of the band's career.
Music by composers from Ukraine or with Ukrainian heritage is, and has long been, all around us.
Vladimir Samoylovich Horowitz [n 1] (October 1 [O.S. September 18] 1903 – November 5, 1989) was a Russian [1] [2] [3] and American pianist. Considered one of the greatest pianists of all time, [4] [5] [6] he was known for his virtuoso technique, timbre, and the public excitement engendered by his playing.
In 1869 Hartmann entered a competition with his design for the Bogatyr Gate (The Great Gate of Kiev) [1] [2] as a commemoration of a failed assassination attempt of the tsar of Russia, Alexander II. [3] Since Vladimir Stasov had introduced him to the circle of Mily Balakirev in 1870, he had been a close friend of the composer Modest Mussorgsky.
He introduces the folk song "The Crane" in a grandiose introduction similar to how Mussorgsky would write "The Great Gate of Kiev" for Pictures at an Exhibition two years later (although many recordings seem to rush through this imposing section, making the contrast between this and its impish second statement somewhat less stark). But the ...