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"Unchained Melody" is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), [ 1 ] hence the song title. Todd Duncan sang the vocals for the film soundtrack. [ 2 ]
Hy Zaret (born Hyman Harry Zaritsky; August 21, 1907 – July 2, 2007) was an American Tin Pan Alley [1] lyricist and composer who wrote the lyrics of the 1955 hit "Unchained Melody", one of the most-recorded songs of the 20th century. [2]
Their version of "Unchained Melody" stayed at number 1 for 7 weeks on the UK Chart, [1] selling more than 1.8 million copies and becoming the best-selling single of 1995. They had two further number-one singles, produced by Mike Stock and Matt Aitken – " I Believe " (1995) and " What Becomes of the Brokenhearted " (1996) [ 2 ] – and two ...
The re-recorded "Unchained Melody" hit No. 19 on the Hot 100 and was certified platinum by the Recording Industry Association of America (RIAA). [ 48 ] They also re-recorded other songs for a budget-priced CD, The Best of The Righteous Brothers , released by Curb Records.
Unchained is a 1955 prison film written, produced and directed by Hall Bartlett (the first film directed by Bartlett) and starring Elroy Hirsch, Barbara Hale, Chester Morris, Todd Duncan, and Johnny Johnston. Based on the non-fiction book Prisoners are People by Kenyon J. Scudder, it is most remembered for its theme song, "Unchained Melody".
As a part of turning 50 years in 2019, Sissel will release one new song once a week for the following 50 weeks. The songs are released on her own website, sisselmusic.com followed by a music video on her official YouTube channel. On May 26, she released the first song of the project, "Unchained Melody". The project started in Oslo in 2015 ...
With his own orchestra, he released a number of hits including "Ruby" (1953), "Unchained Melody" (1955), and "The Poor People of Paris" (1956), and is remembered for a version of "Sinner Man" (1956), definitively setting the sound with varying tempos, orchestral flourishes, and wailing background vocals. [3]
A 2011 Rolling Stone reader's poll placed the song at number one on a list of the 10 best Van Halen songs. [3]Chuck Klosterman of Vulture.com named it the second-best Van Halen song, writing that it "merely feels like insatiable straight-ahead rock, but the lick is freaky, obliquely hovering above the foundation while the drums oscillate between two unrelated performance philosophies."