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The practice of wearing clothes decorated with mother-of-pearl buttons [1] is first associated with Henry Croft (1861–1930), an orphan street sweeper who collected money for charity. At the time, London costermongers (street traders) were in the habit of wearing trousers decorated at the seams with pearl buttons that had been found by market ...
It is a chaplet consisting of a ring of seven groups of seven beads separated by a small medal depicting one of the sorrows of Mary, or a single bead. A further series of three beads and a medal are also attached to the chain (before the first "sorrow") and these are dedicated to prayer in honour of Mary's Tears, as well as to indicate the ...
She had a veil of lawn fastened to her caul bowed out with wire, and edged round about with bone lace. Her gown was of black satin painted, with a train and long sleeves to the ground, with acorn-shaped buttons of jet and pearl. She had short or half sleeves of black satin, over a pair of sleeves of purple velvet.
Ponchos, moccasins, love beads, peace signs, medallion necklaces, chain belts, polka dot-printed fabrics, and long, puffed "bubble" sleeves were popular fashions in the late 1960s. Both men and women wore frayed bell-bottomed jeans, tie-dyed shirts, work shirts, Jesus sandals, and headbands. Women would often go barefoot and some went braless.
Counted-thread embroidery patterns are created by making stitches over a predetermined number of threads in the foundation fabric. Counted-thread embroidery is more easily worked on an even-weave foundation fabric such as embroidery canvas , aida cloth , or specially woven cotton and linen fabrics.
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