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His best-known choral work is his motet for Michaelmas, Factum est Silentium, a dramatic work which describes the War in Heaven depicted in Revelation 8:1 and Revelation 12:7–12: [4] Factum est silentium in caelo, Dum committeret bellum draco Cum Michaele Archangelo. There was silence in heaven When the dragon fought with the Archangel Michael.
" Verbum caro factum est" ("The Word became flesh") is a sacred motet for six voices by Hans Leo Hassler. The Latin text is taken from the prologue to the Gospel of John . The voices are divided into two groups of three that sing antiphonally in the Venetian polychoral style .
The Oxford Book of Tudor Anthems is a collection of vocal scores of music from the Tudor era of England (c.1550-1625). It was published in 1978 by Oxford University Press and was compiled by the organist and publisher Christopher Morris (1922-2014), the editor of OUP who also was involved with the popular Carols for Choirs series of books in the 1970s. [1]
Blair Sanderson suggests that a seminary in the Spanish city of Logroño invited the monks to record a vinyl album of chant in order to popularize it among churchgoers, and that most of the music was recorded around 1980, while there is a greater proportion of music recorded in the 1970s in the follow-up album Chant II.
Piae Cantiones (Devout Songs), arranged by David V. Willcocks: Up Good Christen Folk [22] 1918 Woodward, George Ratcliffe: Piae Cantiones (Devout Songs), arranged by G.R. Woodward: In the first service in 1918, this was the invitatory carol followed by "Once in Royal David's City" Verbum Caro Factum Est [2] (The Word was Made Flesh) [Unknown ...
Et verbum caro factum est And the Word was made flesh. Et habitavit in nobis And dwelt among us. [Ave Maria, gratia plena, Dominus tecum, benedicta tu in mulieribus, et benedictus fructus ventris tui, Jesus.] [Hail Mary, full of grace, the Lord is with Thee; blessed art thou among women, and blessed is the fruit of thy womb, Jesus.]
The Prodigal’s Song for divided upper voices & organ (commissioned by Daniel Hyde (organist) and Jesus College, Cambridge) The Song of Guthlac for TTBB, percussion, harp & strings; The Stable Carol for divided soprano voices & organ; The Twenty-Third Psalm (The Lord is my Shepherd) for SATB unaccompanied (written for the Winchester Consort)
The Cistercian Hymnal is a compilation of the ancient texts and melodies sung by Cistercian monks and nuns during the Liturgy of the Hours.This collection of hymns influenced the Cistercian Order's identity, since early abbots emphasized the compositions' musical quality.