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Antonio Vivaldi used this key for the "Spring" concerto from The Four Seasons.. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
This type of keyboard layout, known as the enharmonic keyboard, extended the flexibility of the harpsichord, enabling composers to write keyboard music calling for harmonies containing the so-called wolf fifth (G-sharp to E-flat), but without producing aural discomfort in the listeners (see Split sharp). The "broken octave", a variation of the ...
F ♭ is a common enharmonic equivalent of E, but is not regarded as the same note. F ♭ is commonly found after E ♭ in the same measure in pieces where E ♭ is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an E ♭ with a following E ♮ is regarded as a chromatic alteration of one scale ...
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H 233. Alla polacca for keyboard in E-flat major (Wq 114:6) H 234. Fantasia for keyboard in D minor (Wq 114:7, 117:16) H 235. Allegro for keyboard in E major (Wq 114:8) H 236. Allegretto for keyboard in A major (Wq 114:9) H 237. Andante for keyboard in C major (Wq 114:10) H 238. Poco allegro for keyboard in E minor (Wq 114:11) H 239.
Claude Debussy's Suite bergamasque does this: in the third movement "Clair de lune" the key shifts from D-flat major to D-flat minor (eight flats) for a few measures but the passage is notated in C-sharp minor (four sharps); the same happens in the final movement, "Passepied", in which a G-sharp major section is written as A-flat major.
E major Voice, Keyboard XXVIa:38 Der schlaue Pudel B ♭ major c. 1780 Voice, Keyboard XXVIa:39 Trachten will ich nicht auf Erden E major 1790 Voice, Keyboard XXVIa:40 Der Feldzug E major 1790 Voice, Keyboard lost XXVIa:41 The Spirit's Song F minor Voice, Keyboard XXVIa:42 O tuneful Voice E ♭ major Voice, Keyboard XXVIa:43 Kaiserlied G major 1797