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The Thieving Magpie is best known for the overture, which is musically notable for its use of snare drums. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. Rossini wrote quickly, and La gazza ladra was no exception. A 19th-century biography quotes him as saying that ...
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The opera opens with a substantial overture which begins with a trumpet call (which in act 3 we learn is the war call of the Colonna family) and features the melody of Rienzi's prayer at the start of act 5, which became the opera's best-known aria. The overture ends with a military march.
Armida (Italian pronunciation:) is an operatic dramma per musica by Antonio Salieri in three acts, set to a libretto by Marco Coltellini. The plot is based on the epic poem Gerusalemme liberata by Torquato Tasso. Lully, Handel and Traetta, to name but a few, had already composed operas based on the situations that Tasso originally developed.
La traviata (Italian: [la traviˈaːta,-aˈvjaː-]; The Fallen Woman) [1] [2] is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave.It is based on La Dame aux camélias (1852), a play by Alexandre Dumas fils, which he adapted from his own 1848 novel.
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa.It premiered at the Teatro Costanzi in Rome on 14 January 1900. . The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of It
Zampa, ou La fiancée de marbre (Zampa, or the Marble Bride) is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville. The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire.
Although the rest of the oratorio survives completely intact, the overture has been lost. The Latin libretto was written by Iacopo Cassetti based upon the Book of Judith . The exact date of composition and performance of Juditha triumphans are not known, but the allegorical treatment of the Venetian defense of Corfu dominated public discussion ...