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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Crucifixion in popular art, as with modern art, is sometimes used for its shock value. For example, a World War I Liberty bond poster by Fernando Amorsolo depicts a German soldier nailing an American soldier, his arms outspread, to the trunk of a tree.
La Grande Bible de Tours, according to the Vulgate, new translation: 2 vols. grand in folio: 241: Mame, Tours; Cassell and Co., England [30] 1866: John Milton: Paradise Lost: 50 Plates: Cassell and Co. [30] 1867: La Bédollière: La France et la Russie (Paris) [30] 1867: Les Fables de Lafontaine: 2 vols. in folio: 8 large and 250 small plates ...
Private collection. oil on canvas board, artist's name on verso, 9" x 11", frame 13 3/4" x 15 3/4" [118] c. 1897 [119] 38 years old In January–April 1897, Tanner went on a trip to Palestine and Egypt. He was sponsored to increase his knowledge of biblical scenery. The final painting is lost, but this study survives. [119]
The dioramas seen in The Brick Bible are created from Spurling's personal Lego collection. The pieces come from hundreds of Lego sets dating from the 1960s to the present. In the few instances where alterations are made to Lego elements, they are generally simple changes made with a hobby knife or permanent ink marker.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
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