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The technique of chikan embroidery is known as chikankari (चिकनकारी چکن کاری).Chikankari is a delicate and artfully done hand embroidery on a variety of textile fabrics like cotton, chanderi, muslin, georgette, viscose, silk, organza, net, etc. White thread is embroidered on cool, pastel shades of light muslin and cotton garments.
Paj Ntaub or flower cloth is a traditional form of Hmong embroidery practiced exclusively by women. This unique form of embroidery utilizes a wide variety of stitching techniques such as cross-stitch, chain-stitch, running-stitch, and satin-stitch and often features applique , reverse-applique, and batik elements in the design. [ 4 ]
Chintz jacket and neckerchief with glazed printed cotton petticoat. 1770–1800. MoMu, Antwerp.. Chintz (/ tʃ ɪ n t s / [1]) is a woodblock printed, painted, stained or glazed calico textile that originated in Golconda (present day Hyderabad, India) in the 16th century.
Strip-woven textile design: African fabric. Textile patterns, designs, weaving methods, and cultural significance vary across the world. African countries use textiles as a form of cultural expression and way of life. They use textiles to liven up the interior of a space or accentuate and decorate the body of an individual.
Auto printing machine in a RMG factory of Bangladesh Woodblock printing in Jaipur, Rajasthan, India Woodblock printing in Bagh, Madhya Pradesh, India Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns. Evenlode by William Morris, 1883. Evenlode block-printed fabric
Kantha stitching is also used to make simple quilts, commonly known as nakshi kantha. Women in Bengal typically use old saris and cloth and layer them with kantha stitching to make a light blanket, throw, or bedspread, especially for children. Kantha is very popular with tourists visiting the Bengal region of the Indian subcontinent.
The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
In the jiyūka (自由花, ' free flowers ') [27] style, creative design of flower arranging is emphasised, with any material permissible for use, including non-flower materials. In the 20th century, with the advent of modernism , the three schools of ikebana partially gave way to what is commonly known in Japan as "Free Style".
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