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In electronics engineering, frequency compensation is a technique used in amplifiers, and especially in amplifiers employing negative feedback.It usually has two primary goals: To avoid the unintentional creation of positive feedback, which will cause the amplifier to oscillate, and to control overshoot and ringing in the amplifier's step response.
Dumble was a guitar amplifier manufacturer in Los Angeles. A Dumble Overdrive Special . In a one-person operation, Alexander "Howard" Dumble (June 1, 1944 – January 16, 2022) [1] [2] made each amp personally. Thus Dumble amplifiers are the most expensive boutique amplifiers on the used market [3] and prices have risen rapidly.
The IIA and IIB, and some late-model Mark I amps, used a JFET-based device called fetron in place of the input stage 12AX7 (V1), and included a switch for configuring the amp for either Fetron or 12AX7 operation. The reason for using a fetron was to address some of the problems associated with microphonic 12AX7 tubes in a high-gain situation ...
The 400 BH power amp module was used in a range of bass amps during the early 1980s, commencing with the MKIII Bass Head in 1979. The MKIV Bass Amp head unit, introduced in 1981, offers a range of functions. It is air cooled, features protection circuitry, and is capable of around 300/350 watts RMS safely into 2 ohms.
The Power Station serves as a power attenuator, power booster, and reamping device with a passive line out and posts load amp effects loop. The internal power amp response can be adjusted using dedicated Presence and Depth controls based on Fryette's original Depth Control design introduced in 1988. Aether Amplifier. Also introduced in 2014 ...
Audio stereo power amplifier made by McIntosh The internal view of a Mission Cyrus One hi-fi integrated audio amplifier (1984) [1]. An audio power amplifier (or power amp) amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones.
Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.
In 2001, Marshall reissued many of its earlier amplifiers, such as the Model 1959-SLP, which is designed to be a reissue of the late-1960s era "Plexi" amplifier, but which are in reality reissues of the post-1973 Super Lead models in that they use printed circuit boards internally to reduce manufacturing cost. The original design utilised hand ...
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