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Thus, when Arabic music is written in European musical notation, a slashed or reversed flat sign is used to indicate a quarter-tone flat, a standard flat symbol for a half-tone flat, and a flat sign combined with a slashed or reversed flat sign for a three-quarter-tone flat, sharp with one vertical line for quarter sharps, standard sharp symbol ...
Quarter tone scale, or 24 tone equal temperament; A seventeen tone unequal tuning that was historically used to describe Arabic music; Major locrian scale, a scale similar to locrian, also the aeolian mode with ♭ 5th and ♯ 3rd, Phrygian dominant scale with ♭ 5th and ♯ 2nd, or Blues Leading-Tone scale with ♭ 6th and ♯ tonic.
Saba (Arabic: صبا, Turkish: Saba or Sabâ, Turkmen: sabah) is a kind of musical scale used in both Arabic music and Turkish classical music.This article covers both the Arabic jins and Queen and maqam called "Saba" as well as the similar Turkish makam of the same name.
For example, some 17th- and 18th-century theorists used the term to describe the distance between a sharp and enharmonically distinct flat in mean-tone temperaments (e.g., D ♯ –E ♭). [2] In the quarter-tone scale, also called 24-tone equal temperament (24-TET), the quarter tone is 50 cents , or a frequency ratio of 24 √ 2 or ...
Arabic maqamat are based on a musical scale of 7 notes that repeats at the octave. Some maqamat have 2 or more alternative scales (e.g. Rast, Nahawand and Hijaz). Maqam scales in traditional Arabic music are microtonal, not based on a twelve-tone equal-tempered musical tuning system, as is the case in modern Western music.
Acoustic scale; Arabic maqam; Basit Suzinak; Blues scale; Diesis; Enharmonic scale; List of musical scales and modes; List of musical symbols; List of notes in Turkish makam theory; List of pitch intervals; Lydian mode; Major fourth and minor fifth; Mode of limited transposition; Musical system of ancient Greece; Nikriz; Pitch class; Quarter ...
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The double harmonic major scale [1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar), [1] [2] and Gypsy major scale. [3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees.