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The Grammy Award for Best Jazz Performance has been awarded since 1959. Before 1979 the award title did not specify instrumental performances and was presented for instrumental or vocal performances. Before 1979 the award title did not specify instrumental performances and was presented for instrumental or vocal performances.
Mosaic Select 23: Andrew Hill-Solo; Music for Perla; Music from Everyday Life; The Music I Like to Play Vol. 1; The Music I Like to Play Vol. 2; The Music I Like to Play Vol. 3; The Music I Like to Play Vol. 4; Music of 1937; Music to Hear; Musica Centripeta: The Swiss Radio Tapes 2; Musically Yours; Mythical Magic
1959–1960: Best Jazz Performance, Group; 1961: Best Jazz Performance Solo or Small Group; 1962–1963: Best Jazz Performance Solo or Small Group (Instrumental) 1964: Best Instrumental Jazz Performance – Soloist or Small Group; 1965–1966: Best Instrumental Jazz Performance – Small Group or Soloist; 1967: Best Instrumental Jazz ...
The Mark Kelso Jazz Project, The Chronicles of Fezziwig; Joel Miller, Unstoppable; Ted Quinlan, Absolutely Dreaming; John Stetch, Black Sea Suite [3] 2021: Jocelyn Gould: Elegant Traveler: Elmer Ferrer, Básico, No Básico y Dirigido; Junior Santos, Conpambiche; Rachel Therrien, Vena; Andrés Vial, Gang of Three [4] 2022: Will Bonness: Change ...
SOLOS: the jazz sessions is a 39-part television music profile/performance series produced in Canada by Original Spin Media. Each episode features complete musical pieces, interviews and behind-the-scenes footage with some of today's most notable jazz artists.
The following is a list of jazz-influenced classical compositions. Classical music has often incorporated elements or material from popular music of the composer's time. Jazz has influenced classical music, particularly early and mid-20th-century composers, including Maurice Ravel. "While Western classical music emphasizes structure, written ...
"So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis. It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E ♭ Dorian and another eight of D Dorian. [1]
The term was attributed by Jon Hendricks to the jazz critic Leonard Feather to describe the first Lambert, Hendricks, and Ross album, Sing a Song of Basie. [2] Most vocalese lyrics are entirely syllabic, as opposed to melismatic. That may lead to the use of many words sung quickly in a given phrase, especially in the case of bebop.
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