Search results
Results from the WOW.Com Content Network
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
An example is the phenomenon of tapping to the beat, where the listener anticipates the rhythmic accents in a piece of music. Another example is the effect of music on movement disorders: rhythmic auditory stimuli have been shown to improve walking ability in Parkinson's disease and stroke patients. [41] [42]
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology.It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
Musicology (from Greek μουσική mousikē 'music' and -λογια-logia, 'domain of study') is the scholarly study of music.Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science.
Bioacoustics as a scientific discipline was established by the Slovene biologist Ivan Regen who began systematically to study insect sounds. In 1925 he used a special stridulatory device to play in a duet with an insect.
The foreword of this book reprints a free-wheeling interview with Marvin Minsky, one of the founding fathers of AI, in which he discusses some of his early writings on music and the mind. [13] AI researcher turned cognitive scientist Douglas Hofstadter has also contributed a number of ideas pertaining to music from an AI perspective. [ 14 ]
Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...
Zoomusicology (/ ˌ z oʊ ə m j uː z ɪ ˈ k ɒ l ə dʒ i /) is the study of the musical aspects of sound and communication as produced and perceived by animals. [1] It is a field of musicology and zoology, and is a type of zoosemiotics.