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"Fancy" is a three-minute and 19-second electro-hop, electropop, and pop rap song, [5] [6] which was written by Iggy Azalea and Charli XCX.The song was also composed and co-produced by the Invisible Men (Jason Pebworth, George Astasio and Jon Shave) and the Arcade (Kurtis Mckenzie). [7]
The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme ...
Fancy recalls her mother's parting words: "Here's your one chance, Fancy, don't let me down" and "If you want out, well, it's up to you." Fancy departs, never to return; shortly thereafter, her mother dies and the baby is placed in foster care. She becomes trapped in her new way of life, her "head hung down in shame," and vows to find a way to ...
Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.