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During the Early Middle Ages, brocade fabrics were available only to the wealthiest of people as the Byzantine emperor charged extreme prices for the fabric. The designs woven into brocade fabrics were often Persian in origin. It was also common to see Christian subjects depicted in the complex weaves of the fabric. When these luxurious fabrics ...
It is a unique form of brocading in that Japanese paper is used as the warp. This paper is coated in either gold, silver or lacquer. The weft is a silk thread which is dyed. As the technique is time-consuming, only several inches are produced each day. [1]
Nishijin-ori fukuro obi showing a woven scene with aristocrats Detail of Nō robe from Nishijin, silk with gilded paper, Edo period. Nishijin-ori (西陣織, lit. ' Nishijin fabric ') is a traditional textile produced in the Nishijin (西陣) district of Kamigyō-ku in Kyoto, Japan.
Today, kimono can be made of silk, silk brocade, silk crepes (such as chirimen) and satin weaves (such as rinzu). [35] Modern kimono that are made with less-expensive easy-care fabrics such as rayon, cotton sateen, cotton, polyester and other synthetic fibers, are more widely worn today in Japan. [35]
Woodblock print (between c. 1100 and 1400) illustrating a stylized floral design used in rinzu fabric. Rinzu (綸子) is a Japanese silk satin damask. [1] [2] It was the preferred fabric for kimono in the Edo period. [3]
Satin silk was the preferred fabric for embroidered fukusa, which often made extensive couched gold- and silver-wrapped thread. As paste-resist dyeing became popular, crepe silk (chirimen or kinsha) was favored. Tapestry-weave fabrics such as tsuzure-ori were also popular, as was the use of weft brocade (nishiki).
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