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A few of the bass pedals designed to be used with electronic or clonewheel organs have features that operate the upper manual keyboards, such as an expression pedal or swell pedal, which is a treadle-style potentiometer for controlling the volume; buttons to turn on or change the speed of a Leslie speaker, a rotating horn speaker in a cabinet; or program change buttons, which send a MIDI ...
The earliest keyboard bass instrument was the 1960 Fender Rhodes piano bass, pictured to the right. The piano bass was essentially an electric piano containing the same pitch range as the most widely-used notes on an electric bass (or the double bass), which could be used to perform bass lines. It could be placed on top of a piano or organ, or ...
An upright pedal piano. The pedal piano (or pedalier piano) [12] is a kind of piano that includes a pedalboard [13] There are two types of pedal piano: A pedal board integrated with a manual piano instrument, using the same strings and mechanism as the manual keyboard; An independent, pedal played piano with its own mechanics and strings ...
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
View history; General What links here; Related changes; Upload file; Special pages; Permanent link; Page information; ... Double bass pedal. Add languages ...
MX-20 - An electric piano produced from 1977 to 1978. [6] Had five presets (high/low piano and clavichord and 'honky tonk') and a bass split with independent volume control. 61 key keyboard. Tune, Sustain and vibrato controls. MX-28 - The MX-28's literature says (C)1981. It is very similar to MX20 except that it uses sliders instead of rotary ...
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard 's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song " (I Can't Get No) Satisfaction ".
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