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No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. [4] [5] The term was a pun based on the rejection of commercial new wave music. [6]
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DNA was an American no wave band formed in 1977 by guitarist Arto Lindsay and keyboardist Robin Crutchfield, and later joined by drummer Ikue Mori and bassist Tim Wright.They were associated with the late 1970s New York no wave scene, and were featured on the 1978 compilation No New York.
From the late 1970s into the early '80s, Milwaukee native James Chance startled the New York rock world with his aggressive blend of punk, funk, free jazz and sometimes disco − and, for a time ...
James Chance, the confrontational, controversial saxophonist and singer of the Contortions and Teenage Jesus and the Jerks, who helped start the No Wave movement of the late 1970s in New York City ...
Ut was an American band which originated from New York City's no wave scene, forming in December 1978. The inheritors of the fertile collision between rock, free jazz, and the avant-garde that first manifested itself in the Velvet Underground, Ut soon became a serious force within the New York music scene.
In the late 1970s, he helped form the no wave band DNA [4] with Ikue Mori and Robin Crutchfield, although Tim Wright of Pere Ubu soon replaced Crutchfield. [5] In 1978, DNA was featured on the four-band sampler No New York (produced by Brian Eno). [5] In the early 1980s, Lindsay performed on early albums by The Lounge Lizards and The Golden ...
Band of Susans was an American alternative rock No Wave band formed in New York City in 1986 and active until 1996. It originally consisted of Robert Poss (guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals). [ 2 ]
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