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Icon of the Deesis – St. Catherine's Monastery Sinai, 12th century Great Deesis with Prophets; 16th century; Walters Art Museum In Byzantine art, and in later Eastern Orthodox iconography generally, the Deësis or Deisis (/ d eɪ ˈ iː s ɪ s /, day-EE-siss; Greek: δέησις, "prayer" or "supplication") is a traditional iconic representation of Christ in Majesty or Christ Pantocrator ...
Heidegger referred to poiesis as a "bringing-forth", or physis as emergence. Examples of physis are the blooming of the blossom, the coming-out of a butterfly from a cocoon, and the plummeting of a waterfall when the snow begins to melt; the last two analogies underline Heidegger's example of a threshold occasion, a moment of ecstasis when something moves away from its standing as one thing to ...
Digenes Akritas (Latinised as Acritas; Greek: Διγενῆς Ἀκρίτας) [a] is a medieval Greek romantic epic that emerged in the 12th-century Byzantine Empire.It is the lengthiest and most famous of the acritic songs, Byzantine folk poems celebrating the lives and exploits of the Akritai, the inhabitants and frontier guards of the empire's eastern Anatolian provinces.
The inscription describes a Ioudaios of Greek religion; such that in this context Shaye J. D. Cohen states the word must be translated as "Judean". [1] Ioudaios (Ancient Greek: Ἰουδαῖος; pl. Ἰουδαῖοι Ioudaioi) [n 1] [2] is an Ancient Greek ethnonym used in classical and biblical literature which commonly translates to "Jew ...
The Emphatic Diaglott is a diaglot, or two-language polyglot translation, of the New Testament by Benjamin Wilson, first published in 1864.It is an interlinear translation with the original Greek text and a word-for-word English translation in the left column, and a full English translation in the right column.
Recto, full view. 28 x 24 cm. Middle leaf, top panel: Deesis, Christ, Mary and John the Baptist. The Harbaville Triptych (Greek: Τρίπτυχο Αρμπαβίλ) is a Byzantine ivory triptych of the middle of the 10th century with a Deesis and other saints, now in the Louvre. Traces of colouring can still be seen on some figures.
(In the Greek and Antiochian liturgical tradition, the Archangel Michael is usually stationed on the north (i.e. "exit") door, and Gabriel on the south (i.e. "entrance") door, and that it is far more common in modern times to see the Archangels than the Deacons on these doors). These doors may also be casually referred to as the "side doors".
Aidos or Aedos (/ ˈ iː d ɒ s /; [1] Greek: Αἰδώς, pronounced [ai̯dɔ̌ːs]) was the Greek goddess of shame, modesty, respect, and humility. [2] Aidos, as a quality, was that feeling of reverence or shame which restrains men from wrong.