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A form is a product of the designer's creativity. An architect's intuition suggests a new form that eventually blossoms, this explains similarities between the buildings with disparate functions built by the same architect; A form is dictated by the prevailing set of attitudes shared by the society, the Zeitgeist ("Spirit of Age"). While ...
In its post-1990s form, the Poäng is composed of a frame of bent, glued beechwood veneers and solid wooden rails, finished with clear lacquer [7] and available in various colors. The seating material consists of polypropylene support fabric and cushions made of leather or fabric filled with polyurethane foam. [ 8 ]
Lambing chair, a wood "box" form of winged arm chair rarely having upholstery. Storage under the seat is common as a drawer or compartment. Lawn chair, usually a light, folding chair for outdoor use on soft surfaces. The left and right legs are joined along the ground into a single foot to make a broader contact area with the ground.
The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
The Adirondack chair is an outdoor lounge chair with wide armrests, a tall slatted back, and a seat that is higher in the front than the back. [1] Its name references the Adirondack Mountains in Upstate New York .
Joseph Kosuth, One and Three Chairs (1965) Joseph Kosuth, One and Three Chairs (1965) One and Three Chairs, is a conceptual work by Joseph Kosuth, from 1965. An example of conceptual art, the piece consists of a chair, a photograph of the chair, and an enlarged dictionary definition of the word "chair". The photograph depicts the chair as it is ...
BKF Chair. The butterfly chair, also known as a BKF chair or Hardoy chair, is a style of chair featuring a metal frame and a large sling hung from the frame's highest points, creating a suspended seat. The frame of the chair is generally painted black. The sling was originally leather, [1] but can also be made from canvas or other materials ...
Burgomaster's chair (ca. 1750) The origin of the corner chair can be traced to six- or eight-leg chairs of Chinese palaces with marble seats, sometimes rotating. The Chinese chairs inspired the Dutch (and English) [3] designs in William and Mary and Queen Anne styles in the 17th and 18th centuries, these adaptations are called burgomaster chairs, as they were used as chairs of office in ...
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