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One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when ...
Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the cante which is the heart and soul of the genre. A cante singer is a cantaor or cantaora. The cante flamenco is part of musical tradition in the Andalusian region of Spain.
"Nuevo flamenco" consists largely of compositions and repertoire, while traditional flamenco music and dance is a language composed of stanzas, actuated by oral formulaic calls and signals. Los Angeles, United States. The flamenco most foreigners are familiar with is a style that was developed as a spectacle for tourists.
The Spanish classical composer Manuel de Falla (1876–1946) was the principal organizer of the Concurso. [3] He sought to encourage and enhance the music of cante jondo (literally "deep song", referring to a key element of flamenco, as opposed to "cante chico", the "lighter" more accessible element), which he sensed had fallen into a period of decadence. [4]
Siguiriyas (Spanish pronunciation: [seɣiˈɾiʝas]; also seguiriyas, siguerillas, siguirillas, seguidilla gitana, [1] etc.) are a form of flamenco music in the cante jondo category. This deep, expressive style is among the most important in flamenco. Unlike other palos of flamenco, siguiriyas stands out for being purely Romani in origin.
Even if the singer has a previous plan, it is often altered on the spur of the moment. These stanzas are independent in subject matter from one another. The content of the lyrics is generally serious in nature, as appropriate to the solemn air of the music. They often have a sententious tone and convey a feeling of intimate pain.
The Bienal de Flamenco is celebrated in Seville, Spain, in different theatres of the city. This festival features dancers, vocalists, and guitarists in a display ranging from flamenco puro to innovative new works. The festival was first celebrated in 1980, with Jose Luis Ortiz Nuevo as the director and with a poster designed by Joaquín Sáenz.
The copla or stanza of the alegrías usually consists of four octosyllabic verses or is the stanza that receives the same name: alegría. Its melody is of festive character and incites to dance. Its rhythm is conditioned by the meter of the soleá, but it differs from it in that its tempo is much faster. [2]