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Cinema 1: The Movement Image (French: Cinéma 1. L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2.
Cinema 2: The Time-Image (French: Cinéma 2, L'image-temps) (1985) is the second volume of Gilles Deleuze's work on cinema, the first being Cinema 1: The Movement-Image (French: Cinéma 1. L'image-mouvement) (1983). Cinema 1 and Cinema 2 have become to be known as the Cinema books, and are complementary and interdependent texts.
Deleuze uses the introduction to clarify the term "repetition." Deleuze's repetition can be understood by contrasting it to generality. Both words describe events that have some underlying connections. Generality refers to events that are connected through cycles, equalities, and laws.
Hermes Project: C++/Python library for rapid prototyping of space- and space-time adaptive hp-FEM solvers. IML++ is a C++ library for solving linear systems of equations, capable of dealing with dense, sparse, and distributed matrices. IT++ is a C++ library for linear algebra (matrices and vectors), signal processing and communications ...
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
The jealous lover, for example, cannot accurately decipher the deceptions of his beloved. Deleuze demonstrates how Proust's book, because of the multiplication of signs, becomes a literary machine, or rather three literary machines: of partial objects or impulses, of resources, and of forced moments.
OpenImageIO library comes with a few applications that demonstrate its features: iconvert - converts image files from one format to another; idiff - compare two images, print information on how much they differ; iinfo - prints basic (width and height of the image and its color depth) or detailed information about the given image
The red structure in the image is a tree, which presupposes a linear ordering over its elements that emanates from the root. The green structure in the image is a rhizome, which ceaselessly establishes connections across branches in the tree, without regard for the predefined order. [5]