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Several of the essays caution against generalizing all African people into a monolithic culture, or using Africa as a facile metaphor. [2] The opening essay, " An Image of Africa: Racism in Conrad's Heart of Darkness ", challenged the prevailing opinions in the west about Joseph Conrad 's depiction of African people. [ 3 ]
As George Joseph notes in his chapter on African Literature [3] in Understanding Contemporary Africa, whereas European views of literature stressed a separation of art and content, African awareness is inclusive and "literature" can also simply mean an artistic use of words for the sake of art alone. Traditionally, Africans do not radically ...
First (1988) edition Cover artist: Thomas William Bowler, Graham's Town from the Bay Road, 1865 White Writing: On the Culture of Letters in South Africa is a collection of essays by Nobel-laureate J. M. Coetzee, originally published in 1988, and in 2007 was reprinted, with a new introduction, by Pentz Publishers (ISBN 9780980270006).
It's hailed as one of the greatest works of fiction to emerge from Africa. But Things Fall Apart was written in English, sparking debate about the colonisation of language.
Decolonising the Mind is split into four essays: "The Language of African Literature," "The Language of African Theatre," "The Language of African Fiction," and "The Quest for Relevance." Several of the book's chapters originated as lectures, and apparently this format gave Ngũgĩ "the chance to pull together in a connected and coherent form ...
Afrikaans can claim the same literary roots as contemporary Dutch, as both languages stem from 17th-century Dutch. One of the oldest examples of written Cape Dutch is the poem Lied ter eere van de Swellendamsche en diverse andere helden bij de bloedige actie aan Muizenberg in dato 7 August 1795 (Song in Honour of the Swellendam and various others Heroes at the Bloody Action at Muizenberg) [3 ...
Here you can find Le Clézio's thoughts about his African childhood and about life in remote places. [2] " L'Africain ", the story of the author’s father, is at once a reconstruction, a vindication, and the recollection of a boy who lived in the shadow of a stranger he was obliged to love.
Bruce King, in a review published in Obsidian: Literature and Arts in the African Diaspora, called it "one of the best books available on African literature". He remarked, "In general the criticism of African literature has been superficial and unanalytical.... Larson's detailed analysis of style, structure and form is an improvement in this ...