Search results
Results from the WOW.Com Content Network
Western music theory generally divides the octave into a series of twelve pitches, called a chromatic scale, within which the interval between adjacent tones is called a semitone, or half step. Selecting tones from this set of 12 and arranging them in patterns of semitones and whole tones creates other scales. [30]
The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale , but differs from it by also involving an element of melody type .
Transformational theory is a branch of music theory developed by David Lewin. The theory allows for great generality because it emphasizes transformations between musical objects, rather than the musical objects themselves. Theorists have also proposed musical applications of more sophisticated algebraic concepts.
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches.As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches.
The pitches of open strings on a violin. Play ⓘ. In music, the term open string refers to the fundamental note of the unstopped, full string.. The strings of a guitar are normally tuned to fourths (excepting the G and B strings in standard tuning, which are tuned to a third), as are the strings of the bass guitar and double bass.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Cambridge History of Western Music Theory. Cambridge and New York: Cambridge University Press. Chrysanthos of Madytos (1832). Theoritikón méga tís Mousikís Θεωρητικὸν μέγα τῆς Μουσικῆς [Great Theory of Music]. Tergeste: Michele Weis; Cogan, Robert (1976). Sonic Design The Nature of Sound and Music. New Jersey ...
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).