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Stepwise magnification by 6% per frame into a 39-megapixel image. In the final frame, at about 170x, an image of a bystander is seen reflected in the man's cornea. Magnification is the process of enlarging the apparent size, not physical size, of something. This enlargement is quantified by a size ratio called optical magnification.
The hyperfocal distance has a property called "consecutive depths of field", where a lens focused at an object whose distance from the lens is at the hyperfocal distance H will hold a depth of field from H/2 to infinity, if the lens is focused to H/2, the depth of field will be from H/3 to H; if the lens is then focused to H/3, the depth of ...
Increasingly, macro photography is accomplished using compact digital cameras and small-sensor bridge cameras, combined with a high powered zoom lens and (optionally) a close-up diopter lens added to the front of the camera lens. The deep depth of field of these cameras is an advantage for macro work.
Light Scanning Photomacrography offered a powerful analog tool for high-detail imaging in the age of film photography. It provided a comprehensive depth of field, making it invaluable in scientific and biomedical photography. [5] As technology and techniques continue to evolve, LSP has been replaced by digital image focus stacking. This ...
That distance is sometimes given on the filter in millimeters. A +3 close-up lens has a maximal working distance of 0.333 m or 333 mm. The magnification is the focal distance of the objective lens (f) divided by the focal distance of the close-up lens; i.e., the focal distance of the objective lens (in meters) multiplied by the diopter value (D) of the close-up lens:
where N is the uncorrected f-number, NA i is the image-space numerical aperture of the lens, | | is the absolute value of the lens's magnification for an object a particular distance away, and P is the pupil magnification. Since the pupil magnification is seldom known it is often assumed to be 1, which is the correct value for all symmetric lenses.
Depth of field depends on the focus distance, while depth of focus does not. Depth of focus can have two slightly different meanings. The first is the distance over which the image plane can be displaced while a single object plane remains in acceptably sharp focus; [1][2] [clarify] the second is the image-side conjugate of depth of field.
The unfocused blur outside the depth of field is sometimes used for artistic effect in photography. The subjective appearance of this blur is known as bokeh. If the camera lens is focused at or beyond its hyperfocal distance, then the depth of field becomes large, covering everything from half the hyperfocal distance to infinity.