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Some stock characters incorporate more than one stock character; for example, a bard may also be a wisecracking jester. Some of the stock characters in this list may be considered offensive due to their use of racial stereotyping , homophobia , or other prejudice.
This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [1]
Loki (Marvel Comics) - From the Marvel Comics series, and from the Marvel movies Thor, The Avengers, Thor: The Dark World, Thor: Ragnarok, and Avengers: Infinity War. He is based directly on the trickster god Loki from Norse mythology. Max and Moritz - Principal characters of the book of the same name written by Wilhelm Busch in 1865. Famous ...
The film version of the character, portrayed by Javier Bardem, was rated by psychologists as the most accurate depiction of a psychopath. Dr. Gregory House, the title character in the FOX medical-thriller House is referred to as a sociopath multiple times by several characters throughout the course of the show.
This list is incomplete; you can help by adding missing items. ( April 2022 ) The Magical Negro is a supporting stock character in fiction who, by means of special insight or powers often of a supernatural or quasi- mystical nature, helps the white protagonist get out of trouble.
Single White Female – 1992 – character of Hedra Carlson/Ellen Besch played by Jennifer Jason Leigh [13] The Crush – 1993 – character of Adrian Forrester played by Alicia Silverstone [12] Mad Love – 1995 – character of Casey Roberts played by Drew Barrymore [12] Fear – 1996 – character of David McCall played by Mark Wahlberg [12]
The white savior is a cinematic trope in which a white central character rescues non-white (often less prominent) characters from unfortunate circumstances. [1] This recurs in an array of genres in American cinema, wherein a white protagonist is portrayed as a messianic figure who often gains some insight or introspection in the course of rescuing non-white characters (or occasionally non ...
On the contrary, Hitchcock had many strong female characters within his movies, career women, who often triumphed over men and subverted sexual stereotypes. One view suggests that Hitchcock’s films enacted “rituals of defilement” of women that evoked his fear of women and unconsciously defended against that fear by punishing and even ...