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Pear-shaped bowl lute with a neck, played by plucking rubab [1] [18] rabab: Afghanistan: 321.321-6 Short-necked three-stringed lute with sympathetic and drone strings, fretted and plucked with a plectrum, with a double-chambered body, the lower part of which is covered in skin, and with three main strings sallaneh: 321.321 Saraswati veena ...
The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
The Lute in Europe. The Lute Corner ISBN 978-3-9523232-0-5; Smith, Douglas Alton (2002). A History of the Lute from Antiquity to the Renaissance. Lute Society of America ISBN 0-9714071-0-X ISBN 978-0-9714071-0-7; Spring, Matthew (2001). The Lute in Britain: A History of the Instrument and its Music. Oxford University Press. Vaccaro, Jean-Michel ...
One of these musicians, Timofiy Bilohradsky, was a lute student of Sylvius Leopold Weiss and later became a noted lute virtuoso, a court lutenist, active in Königsberg and St.Petersburg. In the 18th century, the kobza's upper range was extended with an addition of several unstopped treble strings, known as " prystrunky ", meaning: strings on ...
The lute spread eastward as well; long lutes today are found everywhere from Europe to Japan and south to India. The short lute developed in Central Asia or Northern India in areas that had connection to Greece, China, India and the Middle East through trade and conquest. The short wood-topped lute moved east to China (as the pipa), south to ...
"Flow, my tears" (originally Early Modern English: Flow my teares fall from your springs) is a lute song (specifically, an "ayre") by the accomplished lutenist and composer John Dowland (1563–1626).
The colascione (or calascione, Italian: [kolaˈʃʃoːne], French: colachon [kɔlaˈʃɔ̃], also sometimes known as liuto della giraffa meaning giraffe-lute, a reference to its long neck) is a plucked string instrument from the late Renaissance and early Baroque periods, [1] [2] [3] with a lute-like resonant body and a very long neck.
Ephraim Segerman also talked about plucked fiddles. A theory of stringed instruments with fingerboards was explained in his 1999 paper, A Short History of the Cittern, where part of the paper explained the existence of short lute-like instruments in Central Asia, and mentioned their entry in Europe around the 8th century. [44]