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Even as the poem mourns Lincoln, there is a sense of triumph that the ship of state has completed its journey. [76] Whitman encapsulates grief over Lincoln's death in one individual, the narrator of the poem. [77] Cohen argues that the metaphor serves to "mask the violence of the Civil War" and project "that concealment onto the exulting crowds".
The poem describes the poet's idyllic family life with his own three daughters, Alice, Edith, and Anne Allegra: [1] "grave Alice, and laughing Allegra, and Edith with golden hair." As the darkness begins to fall, the narrator of the poem (Longfellow himself) is sitting in his study and hears his daughters in the room above. He describes them as ...
The metaphors in her poetry serve as "coding", or litotes, for meanings understood by other Blacks, but her themes and topics apply universally to all races. Angelou uses everyday language, the Black vernacular , Black music and forms, and rhetorical techniques such as shocking language, the occasional use of profanity, and traditionally ...
Snow-Bound: A Winter Idyl is a long narrative poem by American poet John Greenleaf Whittier first published in 1866. The poem, presented as a series of stories told by a family amid a snowstorm, was extremely successful and popular in its time. The poem depicts a peaceful return to idealistic domesticity and rural life after the American Civil War.
Read poetry about gratitude, food, and family at the dinner table. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ways to reach us. Sign in. Mail. 24/7 Help ...
"Abandoned Farmhouse" is an American poem in three 8-line stanzas, written by Pulitzer Prize-winning and Poet Laureate, Ted Kooser.. First published in 1980 with Kooser's collection Sure Signs: New and Selected Poems, [1] the poem uses open verse, simple diction and personification of inanimate objects to infer a family's story and possible reasons for their departure, through observation of ...
The fashion for coterie poetry of the period gave Donne a means to seek patronage. Many of his poems were written for wealthy friends or patrons, especially for MP Sir Robert Drury of Hawsted (1575–1615), whom he met in 1610 and who became his chief patron, furnishing him and his family an apartment in his large house in Drury Lane. [11]
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