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In rhetoric, chiasmus (/ k aɪ ˈ æ z m ə s / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα chiásma, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words".
An example of chiastic structure would be two ideas, A and B, together with variants A' and B', being presented as A,B,B',A'. Chiastic structures that involve more components are sometimes called "ring structures" or "ring compositions". These may be regarded as chiasmus scaled up from words and clauses to larger segments of text.
In rhetoric, antimetabole (/ æ n t ɪ m ə ˈ t æ b ə l iː / AN-ti-mə-TAB-ə-lee) is the repetition of words in successive clauses, but in transposed order; for example, "I know what I like, and I like what I know". It is related to, and sometimes considered a special case of, chiasmus. An antimetabole can be predictive, because it is easy ...
The song was covered by death industrial band Maruta Kommand on their 2000 album "Holocaust Rites". The song is part of the "Great War Trilogy" (The Valley of the Shadow / The Old Barbed Wire / Long, Long Trail) sung by John Roberts and Tony Barrand in their album, A Present from the Gentlemen: A Pandora's Box of English Folk Songs (Golden Hind ...
The Bugle Call: Song of War (Japanese: 戦奏教室, Hepburn: Sensō Kyōshitsu) is a Japanese manga series written by Mozuku Sora and illustrated by Higoro Toumori. It began serialization in Shueisha's Jump Square magazine in June 2022. As of September 2024, eight volumes have been released.
By the late 1980s, the "Napalm" cadence had been taught at training to all branches of the United States Armed Forces.Its verses delight in the application of superior US technology that rarely if ever actually hits the enemy: "the [singer] fiendishly narrates in first person one brutal scene after another: barbecued babies, burned orphans, and decapitated peasants in an almost cartoonlike ...
The lyrics are critical of songs that appear to glorify the culture of war; for example, Natan Alterman's War of Independence era Magash HaKesef ('Silver Platter'), [3] and the songs Giv'at haTaḥmoshet ('Ammunition Hill', for which Yair Rosenblum also wrote the music) and Balada laḤovesh ('Ballad for a Corpsman') from 1968. [4]
Jewish partisans' anthem in the Jewish partisans' memorial in Giv'ataym, Israel Jewish partisans' anthem in the Jewish partisans' memorial in Bat-Yam "Zog nit keyn mol" (Never Say; Yiddish: זאָג ניט קיין מאָל, [zɔg nit kɛjn mɔl]) sometimes "Zog nit keynmol" or "Partizaner lid" [Partisan Song]) is a Yiddish song considered one of the chief anthems of Holocaust survivors and is ...