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"William, It Was Really Nothing" is a song by the English rock band the Smiths. It was released as a single in August 1984, featuring the B-sides "Please, Please, Please, Let Me Get What I Want" and "How Soon Is Now?", and reached No. 17 in the UK Singles Chart.
Johnny Marr wrote the music to "Please Please Please Let Me Get What I Want" shortly after its eventual A-side, "William, It Was Really Nothing".Marr commented, "Because that was such a fast, short, upbeat song, I wanted the B-side to be different, so I wrote 'Please Please Please Let Me Get What I Want' on Saturday in a different time signature—in a waltz time as a contrast". [9]
In their early years, the band purposely rejected synthesisers and dance music, [10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences. [11] The Queen Is Dead was notable for featuring harder-rocking songs with witty, satirical lyrics of British social mores, intellectualism and class. [12]
William Golding [96] "Flower of the Mountain" Director's Cut: Kate Bush: Ulysses: James Joyce: The 1989 Kate Bush song The Sensual World was based on the closing paragraphs of Ulysses. However, the Joyce estate was unwilling to allow direct use of Joyce's words at that time, so she altered the lyrics.
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The Adventures of William Tell – Gioachino Rossini, lyrics were added by Harold Purcell and were sung by David Whitfield. Adventure Time ("Island Song") – Ashley Eriksson; AEW Dynamite ("Jane") – Jefferson Starship; After Henry (Three Quarter Blues") – George Gershwin; Agatha Christie's Poirot – Christopher Gunning
Rolling Stone ranked the song as the 14th best Smiths song, [3] while NME named it the band's 16th best. [13] Consequence ranked the song as the band's 28th best, calling it "a testament to The Smiths' power in 1987". [14] Guitar named the song as the band's 20th greatest guitar moment. [15]
In February, Shaw and the Smiths journeyed to Matrix Studios in London, where Shaw recorded three Smiths songs with Marr, Joyce and Rourke. [21] The version of "Hand in Glove" recorded at Matrix was performed in the key of D minor, while Marr placed the intro riff 's accent on a major scale and Shaw altered some lyrics.