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Shōichi Yokoi (横井 庄一, Yokoi Shōichi, 31 March 1915 – 22 September 1997) was a Japanese soldier who served as a sergeant in the Imperial Japanese Army (IJA) during the Second World War, and was one of the last three Japanese holdouts to be found after the end of hostilities in 1945.
Onoda initially held out with three other soldiers: one surrendered in 1950, and two who were killed, one in 1954 and one in 1972. They did not believe flyers saying that the war was over. Onoda was contacted in 1974 by a Japanese explorer, but still refused to surrender until he was relieved of duty by his former commanding officer, Major ...
Yokoi's Cave is the cave on the island of Guam in which Imperial Japanese Army Sergeant Shoichi Yokoi hid until he was discovered in 1972. Yokoi and several companions hid in the area for more than 25 years (since Japan's defeat in the 1944 Battle of Guam), two of them dying in the cave; their remains were found in the cave after Yokoi's surrender.
Japanese holdouts (Japanese: 残留日本兵, romanized: zanryū nipponhei, lit. 'remaining Japanese soldiers') were soldiers of the Imperial Japanese Army (IJA) and Imperial Japanese Navy (IJN) during the Pacific Theatre of World War II who continued fighting after the surrender of Japan at the end of the war.
Hiroo Onoda. The Japanese media reported that a Japanese imperial soldier, Kinshichi Kozuka, was shot to death on an island in the Philippines in October 19, 1972. Kozuka had been part of a guerilla "cell" originally consisting of himself and three other soldiers; of the four, Yuichi Akatsu had slipped away in 1949 and surrendered to what he thought were Allied soldiers; approximately 5 years ...
Summer Soldiers (サマー・ソルジャー, Samā sorujā) is a 1972 Japanese drama and anti-war film written by John Nathan and directed by Hiroshi Teshigahara. It follows U.S. army deserter Jim who tries to seek refuge in Japan during the Vietnam War .
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Non-Japanese and Russians were seemingly used for the roles of Soviet soldiers, though only Ed Keene and Ronald Self are credited. Due to the non-existent China–Japan relations at the time, Kobayashi scouted out filming locations in Hokkaido for the Manchurian setting over two months.