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In painting the faces and figures of Filipino women, Philippine National Artist Fernando Amorsolo (1892-1972) was able to develop his own template on how to paint and create Filipino women in his art: women with rounded faces but not oval, with "exceptionally lively eyes" (not dreamy or sleepy), with "firm and strongly marked" noses (not blunt ...
Filipino women artists started contributing to Philippine art when the Philippines was still a colonial province of Spain (1521–1898). [1] They have continued to participate as art creators after World War II through modern times by either following the traditional way of making art or by departing from such tradition by embracing modernism ...
This is a list of women artists who were born in the Philippines or whose artworks are closely associated with that country. These artists also explore issues within the Philippines as well as those experienced by the Filipino diaspora .
Anita Magsaysay-Ho (born Anita Corpus Magsaysay; May 25, 1914 – May 5, 2012) was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. [2] Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches. [ 3 ]
Filipino art experts, historians, and researchers have four theories on the identity of the sitter in Luna's La Bulaqueña despite the lack of any photographs. According to Emilio Aguilar Cruz, a columnist for the Philippine Daily Globe newspaper, the woman in the portrait could be a woman Luna had courted after losing his wife Paz Pardo de Tavera.
The Chula series or Chula studies is a succession of paintings created by Filipino painter and revolutionary activist Juan Luna about the so-called "chulas" or working-class women of Madrid, Spain. [1] Luna is well known for illustrating "striking and commercially lucrative" [1] depictions of "women of the streets" of Madrid.
Paterno's works are delicate and she executed proficiency in handling light and detail. She was also said to be skilled in miniature painting which was very popular at the time. [5] Paterno is considered a significant figure in the history of women's inclusion in the local art scene. She was the first woman to paint natural sceneries. [2] [4] [8]
The painting depicts a woman holding an umbrella known as the parasol, a theme similar to Juan Luna's La Madrileña (En el Balcon). Hidalgo's La Parisienne was the first Philippine work of art to be chosen as a cover for Sotheby's sale catalog due to its importance, rarity, uniqueness, and exclusivity.
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