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spec script. Also speculative screenplay. A non-commissioned and unsolicited screenplay or film treatment, i.e. one that is written of a screenwriter 's own accord, usually with the intention of having the script optioned and eventually purchased by a producer, production company, or film studio. split edit split screen special effect
A dissolve from The Stranger, directed by Orson Welles, used to indicate a transition in time and place. Cuts and dissolves are used differently. A camera cut changes the perspective from which a scene is portrayed. It is as if the viewer suddenly and instantly moved to a different place, and could see the scene from another angle.
A dissolve (see above) for example, most commonly reveals a passage of time when used within an ongoing scene. The dissolve, by tradition, serves to include intervening time and action. If however, a dissolve rather than a cut is used in a continuing uninterrupted action, its unconventional placement carries psychological implications.
Linear editing systems cannot dissolve between clips on the same video tape. Hence, one of these clips will need to be dubbed onto a new video tape. EDLs designate these occurrences by marking such dissolves' source reels as B-roll of "b-reels". For example, the EDL will change the 8th character of the reel name to the letter B.
Most modern screenplays, at least in Hollywood and related screen cultures, are written in a style known as the master-scene format [37] [38] or master-scene script. [39] The format is characterized by six elements, presented in the order in which they are most likely to be used in a script:
Another early example is Orson Welles's Citizen Kane (1941), which opens with a series of match dissolves that keeps the titular character's lit window in the same part of the frame while the cuts take viewers around his dilapidated Xanadu estate, before a final match dissolve takes viewers from the outside to the inside where Kane is dying. [9]
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The effect is similar to a dissolve in modern filmmaking. Typical examples had landscapes that dissolved from day to night or from summer to winter. The effect was achieved by aligning the projection of two matching images and slowly diminishing the first image while introducing the second image. [1]