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A woman walks by daffodils in bloom at Greenbank Park, Liverpool in February (Peter Byrne/PA) Spring brought new life with snowdrops, daffodils and bluebells while lambs frolicked in the fields.
The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 4] Sleeping Woman: 1930 Man Ray Paris, France [s 2] See article Behind the Gare Saint-Lazare: 1932 Henri Cartier-Bresson: Paris, France 35 mm [s 1] [s 2] [s 3]
2015: Nature, second prize singles, World Press Photo, Amsterdam [18] 2017: Nature, second prize stories, World Press Photo, Amsterdam [19] 2017: Science & Natural History Picture Story, third place, Pictures of the Year International [20] 2018: Nature, first prize stories, World Press Photo, Amsterdam [21]
Her images of nature and the domestic lives of women and children in 1840s and 1850s 19th century Britain, pushing the boundaries of what could be considered as worthy photographic subjects. [ 4 ] Anna Atkins : " Dictyota dichotoma , in the young state; and in fruit" (cyanotype, 1843)
National Geographic Pictures of the Year: As one of the most respected and well-known organizations for nature photography, National Geographic began its “Pictures of the Year” contest in 2023. It invites photographers, both amateur and professional, to submit photos to compete in one of four categories: nature, people, places, and animals.
Pamella Bordes (born 1961), worked as an international photojournalist for Gamma Press Photos, exhibitions include notable images from India and Cambodia, also self-portraits; Sue Darlow (1960–2011), photographer in the UK and India; Serin George (fl 2000s), fashion photographer and model; Gauri Gill (born 1970), contemporary photographer
These Women's History Month fun facts will teach you about the many contributions of women throughout history. Share these with the powerful women in your life. 35 Fascinating Facts About Women's ...
Nature Unveiling Herself Before Science (La Nature se dévoilant à la Science) is an allegorical sculpture created in 1899 in the Art Nouveau style by Louis-Ernest Barrias. The sculpture depicts a woman—personifying Nature—removing a veil to reveal her face and bare breasts.