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Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Interchange, also known as Interchanged, is a 1955 abstract expressionist oil painting on canvas by Dutch-American painter Willem de Kooning (1904–1997). Like Jackson Pollock , de Kooning was one of the early artists of the abstract expressionism movement, the first American modern art movement.
American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"
The 1950s and 1960s saw the emergence of Abstract Expressionism, Color field painting, Conceptual artists of Art & Language, Pop art, Op art, Hard-edge painting, Minimal art, Lyrical Abstraction, Fluxus, Happening, video art, Postminimalism, Photorealism and various other movements.
Rereadings into abstract art, done by art historians such as Linda Nochlin, [30] Griselda Pollock [31] and Catherine de Zegher [32] critically shows, however, that pioneer women artists who have produced major innovations in modern art had been ignored by the official accounts of its history, but finally began to achieve long overdue ...
His painting Broadway Boogie-Woogie (1942–43) at the Museum of Modern Art was highly influential in the school of abstract geometric painting. The piece is made up of a number of shimmering squares of bright color that leap from the canvas, then appear to shimmer, drawing the viewer into those neon lights.
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