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Saint Matthew and the Angel (c. 1661) is an oil painting on canvas by the Dutch master Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre . This painting was documented by Hofstede de Groot in 1914, who wrote:
Saint Matthew and the Angel (Rembrandt) S. ... Saint Matthew and the Angel (Savoldo) Saint Matthew the Evangelist (Master Theodoric) Santa Maria dei Fossi Altarpiece; V.
Saint Matthew and the Angel This page was last edited on 10 April 2024, at 06:53 (UTC). Text is available under the Creative Commons Attribution-ShareAlike License 4. ...
Saint Matthew and the Angel (1602) is a painting from the Italian master Caravaggio (1571–1610), completed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome. It was destroyed in Berlin in 1945 and is now known only from black-and-white photographs and enhanced color reproductions.
The Sacrifice of Isaac (Studio of Rembrandt) Saint Bartholomew (Rembrandt) Saint Matthew and the Angel (Rembrandt) Samson and Delilah (Rembrandt) Samson Threatening His Father-In-Law; Saul and David (painting) The Senses (Rembrandt) Simeon in the Temple; Slaughtered Ox; Still Life with Peacocks; The Stone Bridge; The Stoning of Saint Stephen
The Inspiration of Saint Matthew (1602) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio.Commissioned by the French Cardinal Matteo Contarelli, the canvas hangs in Contarelli chapel altar in the church of the French congregation San Luigi dei Francesi in Rome, Italy.
Saint Matthew and the Angel: 1661: Oil on canvas: 96 x 81: Musée du Louvre, Paris: 289: Part of a series with 290–294 The Apostle Bartholomew: 1661: Oil on canvas: 87.5 x 75: J. Paul Getty Museum, Los Angeles: 290: Part of a series with 289, 291–294 The Apostle Simon: 1661: Oil on canvas: 98.5 x 79: Kunsthaus Zürich: 291: Part of a series ...
Signed on the left at foot, "Rembrandt f. 1645"; canvas, 46 1/2 inches by 36 inches. An old copy without the angels was in the possession of an English dealer in 1899, and afterwards in the possession of a New York dealer. Another copy without the angels was in the sale: –London, June 7, 1912, No. 23 (£15 : 15s.).