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The Wall of Respect was an outdoor mural first painted in 1967 by the Visual Arts Workshop of the Organization of Black American Culture (OBAC). It is considered the first large-scale, outdoor community mural, which spawned a movement across the U.S. and internationally. [ 1 ]
The "RETOLD" artwork hangs on gallery walls painted black and burnt orange, with doorways covered in African mud cloth in vibrant patterns known as bogolanfini. ... teacher — who used any spare ...
Xenobia Bailey (born 1955) is an American fine artist, designer, Supernaturalist, cultural activist and fiber artist best known for her eclectic crochet African-inspired hats [1] and her large-scale crochet pieces and mandalas.
Whitfield Lovell (born October 2, 1959) is a contemporary African-American artist who is known primarily for his drawings of African-American individuals from the first half of the 20th century. Lovell creates these drawings in pencil, oil stick, or charcoal on paper, wood, or directly on walls.
Jeff Donaldson (1932 – 2004) was a visual artist whose work helped define the Black Arts Movement of the 1960s and 1970s. [1] Donaldson, co-founder of AfriCOBRA and contributor to the momentous Wall of Respect, was a pioneer in African-American personal and academic achievement.
Willie Cole (born 1955 in Somerville, New Jersey) is a contemporary American sculptor, printer, and conceptual and visual artist.His work uses contexts of postmodern eclecticism, and combines references and appropriation from African and African-American imagery.
William T. Williams (born 1942) is an American painter and educator. He is recognized as one of the "foremost abstract painters" of the past century. [1] His work has been exhibited in more than 100 exhibitions in the United States, France, Germany, Ivory Coast, Japan, Nigeria, People's Republic of China, Russia, and Venezuela.
David C. Driskell (June 7, 1931 – April 1, 2020) was an American artist, scholar and curator recognized for his work in establishing African-American Art as a distinct field of study. [1] [2] In his lifetime, Driskell was cited as one of the world's leading authorities on the subject of African-American Art. [3]
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