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KDS-XBR1/KDS-XBR2 (2005/2006) 1080p SXRD Rear Projection TV’s. Available in 50”, 60” and 70” sizes. XBR1 (2005) 720p LCD with a black bezel. Available in 26”, 32” and 40” sizes. The viewing angle was adjustable on 26” and 32” models by swiveling or tilting the screen, similar to a monitor. Native resolution was 1366 x 768.
The following is a list of Bravia television products manufactured by Sony. In 2005 they discontinued their previous "WEGA LCD" line, and all Sony televisions are now known as Sony Bravia . Starting in 2013, the model year is encoded in a letter of the alphabet, so all 2015 models have a letter "C" in their name.
Rear-projection television (RPTV) is a type of large-screen television display technology. Until approximately 2006, most of the relatively affordable consumer large screen TVs up to 100 in (250 cm) used rear-projection technology. A variation is a video projector, using similar technology, which projects onto a screen.
In the front and rear-projection television market, it competes directly with JVC's D-ILA and Texas Instruments' DLP. Sony has discontinued the production of all of its rear-projection televisions, including those that used SXRD display chips, in favor of flat-panel sets utilizing LCD and OLED displays.
A liquid crystal rear projection television system using a patented "optical engine" made by Sony to provide a large image in a very compact chassis. Screen sizes in inches as of 2004 can range anywhere for 42" to 70"; with exceptional sharpness, composed of approximately 2.5 million plus pixels.
A 140 cm (56 in) DLP rear-projection TV Large-screen television technology (colloquially big-screen TV) developed rapidly in the late 1990s and 2000s.Prior to the development of thin-screen technologies, rear-projection television was standard for larger displays, and jumbotron, a non-projection video display technology, was used at stadiums and concerts.
Sony HDVS (High-Definition Video System) is a range of high-definition video equipment developed in the 1980s to support the Japanese Hi-Vision standard which was an early analog high-definition television system (used in multiple sub-Nyquist sampling encoding (MUSE) broadcasts) [1] thought to be the broadcast television systems that would be in use today.
If the camera's angle were always the same, an ideal viewing distance could be easily calculated. However, the camera's horizontal angle varies as the focal length of its lens changes. If the camera's sensor has fixed dimensions, a shorter focal length (wide angle) lens captures a wider angle of view, requiring the viewer to sit closer to the ...
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