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[c] [2] Baptised William Henry (Dutch: Willem Hendrik), he was the only child of Mary, Princess Royal, and stadtholder William II, Prince of Orange. Mary was the elder daughter of King Charles I of England, Scotland and Ireland and sister of kings Charles II and James II and VII. Eight days before William was born, his father died of smallpox ...
The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage is an 1832 marine history painting by the English artist Joseph Mallord William Turner. [1] [2] It depicts an event from the Glorious Revolution of 1688 when William III had landed at Brixham.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
English: King William III on horseback statue, Glasgow Cathedral Square, Scotland. James Macrae of Orangefield near Prestwick was a great admirer and presented this statue to the people of Glasgow. James Macrae of Orangefield near Prestwick was a great admirer and presented this statue to the people of Glasgow.
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English: William III's (of Orange) Expeditionary Banner in 1688 during the "Glorious Revolution". Based on the following sources, this is the best consensus: Based on the following sources, this is the best consensus:
William of Orange was the senior Dutch figure present at the battle, serving under the overall command of the Duke of Wellington. It began an equestrian portrait of William before being expanded into a grander battle scene. William is shown on horseback encouraging Dutch troops against the French on the right of the canvas. [1]
The Battle of the Boyne is a 1778 historical painting by the Anglo-American artist Benjamin West.It portrays the Battle of the Boyne which took place in Ireland in 1690. West's depiction of William of Orange on his white horse became the iconic image of liberation from Catholic Ireland; the painting was widely copied and distributed throughout the nineteenth century.